At Fashion Eyewear we stock all the latest Cat Eye styles straight from the runway. Nicole Richie, Katy Perry and Jessica Alba are just a few of the stars we have seen sporting a pair. Today the Cat Eye is popular in a larger, rounder frame which is flattering for most face shapes Today’s stars are often spotted in these frames. Or it can be famous as the ultra-stylish, sophisticated and glamorous frame as spotted on fashion icons such as Marilyn Monroe. View this item and discover similar for sale at 1stDibs - Chanel Rose Gold Cat-Eye Mirror Sunglasses - Rose-gold tone cat-eye sunglasses with mirror lenses. The Cat Eye can be adapted and modified to be a quirky frame expressing style as seen on Frenchie in the 1978 Grease Frenchie. Like every fashion trend, Cat Eyes dip in and out of popularity but variations of the Cat Eye have remained popular similar to the round frame, the aviator and the wayfarer as staple fashionable glasses styles. Discover the latest ready-to-wear, handbags, shoes and accessory collections, all inspired by the finesse of Italian. During the ’60s and ’70s came the Cat Eye became more and more exaggerated with small tinted lenses which turned up towards the outside of the face. The supermodels and icons of the 50’s and ’60s were then repeatedly spotted in this iconic frame making it a must-have style as seen on Marilyn Monroe, Grace Kelly and Elizabeth Taylor. The Cat Eye was first introduced as an optical frame but then Audrey Hepburn made the Cat Eye sunglasses an iconic look in her hit film Breakfast at Tiffany’s in 1961. These were a fresh new style which was completely different from the original 50’s classic frames and was part of a whole new fashion era for women. But, where did the style originate from? The Cat Eye first became fashionable in the 1950s. At the end of the show, the bride, wearing a short bustier dress and veil embroidered with swallows, emerged from inside an elephant.Cat Eye glasses are one of our bestselling shapes at Fashion Eyewear. In a preview, Viard - dressed in a sweatshirt embellished with a sequined giraffe, a gift from Lesage creative director Hubert Barrère - pointed out her favorite: a white lace bustier column dress overlaid with a sheer vest embroidered with a gold deer head.Įveningwear played with transparency and metallic effects, which are emerging as a strong trend on the couture runways this season. Tweed jackets were paired with flippy pleated skirts, wide shorts or miniskirts sporting frothy tulle ruffles, while flared coats accentuated the waist.įrom a distance it was hard to spot the Easter eggs in this collection: a crystal embroidery of a corgi winked from the neckline of a pixel-effect tweed jacket, while the black-and-white pattern on a ‘20s-style silver lamé dress depicted little rabbits. Several models popped out of the mobile statues, dressed in thigh-grazing outfits accessorized with top hats, bow ties and majorette-style white lace-up boots. His giant stylized sculptures of creatures including a buffalo, a horse and the fictional “croco-dog” were wheeled out at the start of the show, held in the temporary Grand Palais venue near the Eiffel Tower, marking the third and final chapter of Veilhan’s collaboration with Chanel creative director Virginie Viard.Īnimals are a recurring theme in his work and Viard suggested he riff on those found in the carefully restored apartment of founder Gabrielle “Coco” Chanel, which is filled with objects, sculptures and drawings representing does, stags, birds, camels and lions - the latter a nod to her star sign, Leo. While Schiaparelli set off a hailstorm of controversy with its eerily realistic depictions of animal heads, the bestiary that artist Xavier Veilhan created for the Chanel couture show was fanciful enough to skirt any accusations of cruelty to animals. If the past 24 hours have taught anything to luxury brands, it’s that featuring animals in a fashion show is a fraught proposition.
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